I mentioned that we were given 16 artists to research last week. I have these in my contextual but i wanted to update them on my blog also
John Curran:
"Pornography is so associated on the idea that the camera doesnt intercede between you and the subject-One motive of mine is to see if i could make this clearly debased and unbeautiful thing become beautiful in painting" John Curran, quote taken from Art Now volumn 3
He confronts his own sexual desires. His paintings mix classical elements with a real crudeness
Kissers, 2006, Oil on Canvas
Honeymoon Nude, 1998
The images contrasts with the emptiness of the personalities portrayed, making them psychologically unsettling
Christopher Wool.
"Painting is often a struggle between the planned and the unforeseen. The best paintings are the ones that you could not have imagined before you began. Of course the worst paintings are created in this way as well" Christopher Wool
Christopher Wool Untitled 2007, Enamel on Linen, 320 to 243.6 cm
He works on the the surface and then rotates it and reworks. This can be seem by such things as the upside down drops. Erasing plays a big part in his work.
Could think of Jackson Pollock or Brice Marden.
Constant urge to make a mark and at the same time, a conflicting urge to erase it.
He has influenced many younger artists such as Kelly Walker, Sett Price and Josh Smith
Peter Doig
"Often i am trying to creat a numbness. I am trying to creat something that is questionable, something that is difficult, if not impossible, to put into words" Peter Doig
His paintings break price records.
Figurative paintings began in the 1990's. Over time has continued to alter his approach to the figuration and landscape.
Doesnt like repetition, should be learning something
"painting should evolve into a type of abstraction; It should slowly dissapate into something else through time, through working, seeing things through" Peter Doig
Magical realism.. Its like real memories in a dreamlike state:
Peter Doig, Canoe-Lake, 1997, Oil on Canvas, 200 x 300cm
Figures in Red Boat, 2006-2007, Oil on canvas, 250 x200 cm
Sarah Morris
Her main media : film and painting
Both in very different ways.
Paintings: abstract and geometrical.
Films: representational
Films compliment her paintings.
She is interested in urban structures, usually architectural but more recently also social.
Robert Towne (2006)
http://youtu.be/7oCOIIlHNlo
Taking the aesthetic of one city and grafting it on the architecture of another.
Pae White
"I like the idea that everything in the world has the potential to be reproduced as a potential art piece, even if it is just a motif"
Art architecture and craft design.
Morceau Accrochant, 2004
It shifts before your very eyes.
Pae White, In no particular order, 2005
Bernard Frize:
Minimalised, painting for over 30 years.
Believes in allowing paintings to make themselves and to lead to others.
Would like to believe that the how is visable in the painting. His work however holds a mistery as well as a transparentcy.








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